1971 is a BOC gig desert... they played lots of clubs all over the NE - but I don't have any venues or dates - and at the end of the year managed to secure their first major tour support slot with John McLaughlin & the Mahavishnu Orchestra and The Byrds.

In July, they did a successful audition for Columbia Records and in October they recorded their first LP at The Warehouse... and that's about all I know for sure...

Pathetic, isn't it? Well, there's only one way to remedy this sad situation: have you got anything to contribute to help develop this page into a page worth displaying? Reviews, missing info, ticket stubs, posters etc etc - if so, let me .

Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Help!!
Albert Bouchard

We played at Conry's East in Levittown NY from Jan 5 to Jan 10. I have the tapes. We recorded all 6 shows.

Here's the set list for Jan 5/6 Not in order. Plus lots of duplicates:

  1. It's Not Easy
  2. Bad Boy
  3. Street Fighting Man
  4. Aimless Lady
  5. Casey Jones
  6. You Make Me Feel
  7. Memphis Slim Jam (Pearlman on harp)
  8. Jesus Is Just Allright
  9. Donnovan's Monkey
  10. Lucille Jam
  11. Sneakers
  12. All Right Now
  13. All Along the Watchtower
  14. Highway Song
  15. OOOOO Baby Baby
  16. Ohio
  17. Hey Bulldog
  18. Me & My Monkey
  19. Cinamon Girl
  20. Gil Blanco County
  21. 4 door blues
  22. I'm on the Lam
  23. Stairway to the Stars
  24. Honkey Tonk Woman
  25. Arthur Comics
  26. Ragamuffin Dumpling

Do you know of any SFG gigs for February 1971 that I'm missing?

If you do, please let me ...

Quick Gig Facts
Ralph

This flyer was sent to me by Sam Judd who said Eric Bloom had come across it in his basement...

My advice to Eric is to get back down into that basement and get searching for more of the same...

NB: Check out the name on the handbill: "Stalk Forest". That's interesting - most of the printed ads I've come across all say the same thing - not "Stalk-Forrest Group" (with 2 "R"s) but simply billed as "Stalk Forest"!! Can they all be wrong?

In fact - I've only seen the one reference to "Stalk-Forrest Group" in an ad for the SFG/MC5/TYA gig at SUNY on 3 July 1970, and one for "Stalk-Forest Group" (19 March 1971). All the others have been for "Stalk Forest"...

And yet if you check out the label for the Arthur Comics 45, it's the full SFG name....

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Ralph

OK, this ad is interesting not just because it shows that in March 1971, SFG were still doing "moods" at Stony Brook, but also because it shows that the band were still gigging as "Stalk-Forrest Group" (well, strictly speaking it was "Stalk-Forest Group".

Albert Bouchard

We played a gig at a fraternity at Dartmouth College and all the students were so blasted that they were barfing all over the place - some of the Fraternity brothers were even licking the alcohol that had spilled off the floor.

Phil King - who had got us the gig - was appalled and said, "These are the future leaders of our country!"

As for the date - Joe and I have discussed this and we have narrowed it down to either April 3, 1971 or April 10, 1971. It had to be one of those days because it was around spring break, way before the first album was recorded...

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Ralph

In an ad on page 6 of the Wednesday 5 May 1971 edition of "The Daily Messenger" [Canandaigua NY] it says:

The Pad's
Swinging Week-end Presentations

Thursday Night:
It's here now - from New York to California -
"Stalk Forrest"
One Night only -
Top Flight Entertainment

The Pad
Lake Shore Drive
Canandaigua, N.Y.

Art Tatnell

I saw them as SWU in 1971 at a bar in Mineola near where I was living for the summer at my uncle's house in Westbury, LI... damn... I can't remember the name of the bar... it was a big place... eez... too much tequila that night and too many years since.

Ralph

The latest SWU gig I've ever come across was 17 Dec 1969 - after that it was SFG until... well, here's the thing, I have yet to discover the "cross-over point" - they were deffo SFG on 19 March 1971 and deffo billed as BOC on 30 Oct 1971 - my current best guess is they became BOC approx August 1971.

That's why I'm so interested in your post - if you definitely saw them in Summer 1971, and they weren't yet called BOC, then there's a good chance you saw them just before the name change-over - but like I say, they would have been called SFG at that point (if not BOC)...

If you can come up with a venue name and maybe a more focused date range (eg "July" or "August"), please let me know...

Art Tatnell

It was in June of 1971 that I know because I wasnt 18 yet... I know i got my SWU t-shirt at that show (still have it..a few holes but a classic)... but maybe they were SFG by then and I didn't know it... its all a blur... 43 years ago

Ralph

This is currently the last gig by SFG that I know about before they became BOC later this month.

So far as I can tell, the Columbia audition took place around about this time.

Albert Bouchard

We played here in August, probably the 13, 14, 15...

Quick Gig Facts
Albert Bouchard

This was not a New Year's gig. It happened later in the year when we were starting to record our first album. We drove there after a night of recording, probably September or October.

Scott Rodgers

Catasauqua is indeed the name of the town. It's in the Lehigh Valley region of Pennsylvania, about an hour's drive south of New York City.

Interestingly enough, the Slovak Center apparently still has bands from time to time:

Ralph

As a result of their meeting with David Lucas at Camp Swan Lake, he invited BOC to come along and record their first LP at his Warehouse 8-track jingle studio on 46th Street, New York in October 1971.

It seems to me to be an unusual occurence for Columbia to allow this external outsourcing, but maybe it was a cheaper deal for them to do it this way?

Ralph

I only know about this gig because Albert mentoned it in an interview in "Morning Final":

Albert: I remember recording "Before the Kiss, A Redcap" and then as soon as we finished the song, we went to Youngstown Ohio to play at The Bedroom (a club), and we played on a bed. A stage in the shape of a bed. The trip to Youngstown Ohio is about 8 or 9 hours and we didn't stay overnight.

So we must have finished the session at four in the morning and then left and got to the gig at like four in the afternoon and slept in the van, and set up on the bed.

Now I'm not sure but that could have been the same place that the marquee had "Tonight Blue Oyster Cult" and then they switched the letters around.

Even if it's not true, I mean it's true at one point, it was somewhere over there in Ohio, and it was right in the early years, it was like the first album year, it might have been The Bedroom.

When we got there it said "Tonight Blue Oyster Cult," when we left the gig at the end of the night the sign said, "To light, Blue Oyster Cunt!"

Ralph

The above image (kindly sent to me by Peter Nielsen of the thinlizzyguide.com) appeared in the 29 October 1971 edition of the Uniontown PA Evening Standard. It doesn't specify any sort of date - it appears just as you see it above.

This is a bit confusing - does it indicate that BOC played at this venue on the 29th as well as the 30th October? If you examine the advert from this same publication for the next day's gig, it explicitly specifies that the show is "tonite"...

I'd have expected some sort of date to be mentioned on the 29th Oct advert if it referred to the next night's show...

Quick Gig Facts
Ralph

The ticket image above has been ruthlessly cropped from a great photo I noticed on Flickr, thereby ruining a nice composition, so check out the original here:

I saw a poster for this gig on pinterest, with this accompanying text:

Original hippie era rock poster from the Fall of 1971 held at UNH. I was there and can tell you this was the most bizarre combination ever. The jazz inspired Mahavishnu John McLaughlin who later said it was his worst concert experience ever, followed by the hard rock Blue Oyster Cult leading to the head act, the Folk Rock Classic group - THE BYRDS. I still have this poster because when I said I liked it - an inebriated friend tore it off a telephone pole for me. Thanks Patty!
Dick Brodeur

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SirKitMakr

One of the oddest grouping of bands that I've seen was at a $3. concert at Cortlandt College.

Lowest billed was Blue Oyster Cult. After them, this guy we never heard of came on stage, with SHORT hair, and a double-neck guitar. It was an early appearance of The Mahavishnu Orchestra with John McLaughlin. Blew us away. Revved up the orange sunshine in us.

And, headlining, very definitely anti-climactically, was The Byrds. Go figure.

Ralph

According to the poster above, BOC weren't lowest on the bill - they seem to have been billed second, yet "SirKitMakr" states positively that they opened...

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Ron Fritts

December 3 - Auditorium-University of Maine, Orono, Maine
Byrds, Blue Oyster Cult, and Mahavishnu Orchestra featuring John McLaughlin - 2 shows: 7 & 10:30pm

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Mike Rogers

Just an update on the show at Clarkson. I was there as it was my freshman year;-). I wish I could remember more about the setlist but it was 45 years ago.

The Byrds did not appear on the bill. Edgar Winter's White Trash was on the bill in their place. This was a tour put on by Columbia Records to promote three of the new acts.

I do recall that all three bands were excellent.

Blue Oyster Cult did come back to play the college on the Agents of Fortune tour.

Quick Gig Facts

Here's a review of this gig from The Burlington Free Press (13 Dec 1971):

Byrds Superb Musicianship Thrills Concert Audience by Andrew Leader

Glory to the Byrds, but it's too bad they had to wait until 11.15pm to take the stage in a concert that was supposed to begin at 8pm.

Saturday night's cosmic dance music thing at Patrick Gymnasium did, it is true, include two other bands, Blue Oyster Cult and Mahavishnu Orchestra, the latter featuring guitarist John McLaughlin, a real jazz-rock heavy.

From where we were sitting, though, a lot of the rock, muddied as it was by the cavernous gymnasium acoustics, came across as merely heavy-handed and Oyster, in particular was rhythmic and clamorous as the BMT local picking up speed subaqueous and subterranean beneath the East River after its last exit to Brooklyn.

"This is off our album called "Screams in the Night" announced the Blue Oyster Cult man who was as short-haired as Rockaday Johnnie, that mythical 50s electro-bopper.

"Gee" responded my (constant) companion "I wonder if it will be loud".

Really, it may have just been the hall's fault. Rock music should either be listened and danced to in the sweaty intimacy of a beer palace whose natural echoes have been muffled by the press of bodies, or should be listened to, recycled, on a good stereo system. High-ceilinged gymnasiums are just not the optimum environment.

Mahavishnu used electric violin a lot, and McLaughlin did some flamingo-like picking. The group obviously has the musicians, but there's more to good rock than pyrotechnics, and like I said, the sound, however it got that way, was muddy.

By the way, I was in a lousy mood the first couple of hours, anyway, because the strutting ticket-takers at the gate had at first refused to let me in. I had to go through the various echelons of Student Association power before anyone even deigned to look at my press card. The second guy I talked to said he couldn't let me in but not to blame him because he was only following orders.

The Byrds, however, were beautiful. They are basically an electrically eclectic folk group with a repertoire that ranges from pure acid rock i.e "Eight Miles High," to pre bluegrass i.e. "Roll in My Sweet Baby's Arms". All four of them are superb musicians and they have the galvanic stage presence of the true superstar. The audience was on its feet for most of their part of the concert from the time the Byrds, breezing in from California or wherever, welcomed themselves to snow country to the time they exited. The gold and deep blue spotlights gave an ethereal glow to the serenely long-haired group some with metal studs on their clothing randomly flashing back blue-orange flames, singing Dylan's "My Back Pages": "Ah - but I was so much older then, I'm younger than that now."

The Byrds also did some Chuck Berry style rock n'roll "Anything You Want Me To Do," Dylan's "Mr. Tambourine Man", a bluegrass instrumental "Black Mountain Rag," a bluegrass version of Woody Guthrie's ballad "Pretty Boy Floyd" There were also a few songs with that sweet country-style guitar picking which the Byrds began doing a few years ago in their album "Sweetheart of the Rodeo."

And, of course, there were the Byrds most recent hits "Down in the Easy Chair" and the gospel-style "Jesus Is Just Alright" and a bit more too.

The Byrds forte has always been in bringing to inherently good, complex material the gift of their musicianship and harmonic power. Saturday's concert was a fair sampling of Byrds with the considerable added dimension of the group's physical presence.

Ralph

The above review sort of hints that BOC opened this particular gig, but unfortunately it doesn't say definitively.

Quick Gig Facts
Ralph

Well, the adverts says there were two shows - however, the review above only seems to refer to the late show - apparently the Byrds took the stage at 3am!! - it doesn't mention an early show...

Great report of BOC's performance by Ken Simon: "But what about Blue Oyster Cult? I refuse to waste the space."

David Ramage

We went in a caravan of vehicles to Stony Brook from Dix Hills. I thought that Don, Sandra, Allen, and Patti were with us, but I'm not certain.

I think also that these date(s) were played in 1971 - if you have any info, please let me know:

Cultjacket

My 1st BOC show was June 21st 1973 the venue: The Palisades, Mckeesport PA. Albert and Buck both said to me they played The Palisades in Mckeesport PA before in 1971 as SFG.

I don't have any info about those shows...